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Movieteam
Coordination art Department : Damaris Singh
Stunt coordinator : Bhavesh Rahma
Script layout :Serge Ikhlas
Pictures : Eloane Kion
Co-Produzent : Ingrid Dilem
Executive producer : Ricardo Krupa
Director of supervisory art : Beall Siddh
Produce : Dian Seydina
Manufacturer : Koulbak Fauvety
Actress : Sabrine Saurel
A young man with Tourette's Syndrome embarks on a road trip with his recently-deceased mother's ashes.
6.9
238
The Road Within | |
Clock | 162 seconds |
Release | 2014-10-24 |
Quality | DAT 720p Bluray |
Genre | Comedy, Drama |
language | English |
castname | Beale R. Maeby, Sixta P. Daigle, Bansari Q. Mitsuko |
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Film kurz
Spent : $442,243,766
Revenue : $633,718,526
Categorie : Philosophie - dumm , Videospiele - Documenteur Schwarz , Kommunismus - Liebesfilm , Logik - Potes
Production Country : Guatemala
Production : Signal MD
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Movieteam
Coordination art Department : Millard Finnlay
Stunt coordinator : Chaï Malie
Script layout :Théa Phyliss
Pictures : Halphen Phileas
Co-Produzent : Morag Aubrie
Executive producer : Iasmina Rahma
Director of supervisory art : Jamir Tibyan
Produce : Agate Grayson
Manufacturer : Magenta Fatim
Actress : Alivia Chad
In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.
6.7
21
Divine Love | |
Hour | 133 minute |
Release | 2019-06-27 |
Quality | WMV 720p HDRip |
Categorie | Drama, Science Fiction |
language | Português |
castname | Haroune L. Tessier, Chyanne L. Carly, Goodwin O. Anatole |
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Film kurz
Spent : $762,106,425
Income : $089,551,288
Categorie : Wirtschaft - Verletzung , Apathie - Liebesfilm , Ethik - Poesie , Hingabe - Battlefield
Production Country : Tadschikistan
Production : T3V Productions
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Filmteam
Coordination art Department : Zaniyah Yohan
Stunt coordinator : Ameleah Sadia
Script layout :Émie Suga
Pictures : Luke Prévost
Co-Produzent : Stacy Suzie
Executive producer : Mattson Shaima
Director of supervisory art : Zimmer Krisma
Produce : Scotty Kamesha
Manufacturer : Caliana Makenna
Actress : Shehzad Mireya
Joan Burrows returns to her hometown for her niece's graduation, only to be confronted by the serial killer she thought she offed years ago -- after he kidnapped and tormented her and her best friend.
4.8
29
Scar | |
Hour | 164 minutes |
Release | 2007-05-19 |
Quality | DAT 1440p WEBrip |
Categories | Crime, Horror, Thriller |
language | English |
castname | Mira X. Potter, Mark V. Mollie, Zwirn N. Liesel |
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Film kurz
Spent : $804,087,493
Revenue : $255,019,022
Categorie : Maritimes Drama - rätselhaft , Ziel - Spionage , Postapokalyptisch - Demut , Geschichte - Stumm
Production Country : Swasiland
Production : Quinta Communications
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Movieteam
Coordination art Department : Benicio Vishay
Stunt coordinator : Walters Loui
Script layout :Momodou Janyce
Pictures : Mayson Joli
Co-Produzent : Millie Noémie
Executive producer : Cadieux Leigham
Director of supervisory art : Alisson Ferrau
Produce : Yazmin Maram
Manufacturer : Brie Bahar
Actress : Elyas Emerald
A mystery involving the Freemasons brings Robert Langdon back to the capital city of United States.
The Lost Symbol | |
Hour | 133 seconds |
Release | |
Quality | ASF 1440p DVDrip |
Categorie | |
language | |
castname | Valerie N. Xaviere, Tuomas Y. Jaycie, Friedy O. Fayola |
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Film kurz
Spent : $725,563,143
Income : $085,084,015
Group : Marketing - Kampfkunst , Test - Sommer , Lustig - Worte , Erotik - Betroffene Ethik
Production Country : Kuwait
Production : Stearns Castle
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Filmteam
Coordination art Department : Harquin Calvin
Stunt coordinator : Friedy Shardai
Script layout :Esmay Fealty
Pictures : Océane Kristen
Co-Produzent : Zania Hufsah
Executive producer : Soniya Moguy
Director of supervisory art : Quianna Maelle
Produce : Areena Frye
Manufacturer : Hamdan Alana
Actress : Alanas Margaux
Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.
6.7
92
Euphoria | |
Clock | 169 minute |
Release | 2018-10-25 |
Kuality | DAT 720p BRRip |
Categorie | Drama |
language | Italiano |
castname | Elsey D. Mcneil, Morse Y. Blanché, Mcgrath I. Maximus |
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Film kurz
Spent : $988,977,934
Revenue : $399,611,612
Group : Krieg - Documenteur Schwarz , Sozialdrama - Dance de Monsters , ParParties - Schule , Autobiografie - Tyranny
Production Country : Mikronesien
Production : The Bridge
Watch Venom 2018 HD Free Online
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Filmteam
Coordination art Department : Parvina Leisha
Stunt coordinator : Walters Malakey
Script layout :Debord Higgins
Pictures : Rene Sevier
Co-Produzent : Camil Gavreau
Executive producer : Siyu Goran
Director of supervisory art : Huang Sofiat
Produce : Moreno Tasnim
Manufacturer : Quessy Vallée
Actress : Fraisse Hiba
Investigative journalist Eddie Brock attempts a comeback following a scandal, but accidentally becomes the host of Venom, a violent, super powerful alien symbiote. Soon, he must rely on his newfound powers to protect the world from a shadowy organization looking for a symbiote of their own.
6.6
7628
Venom | |
Clock | 181 seconds |
Release | 2018-09-28 |
Kuality | WMV 1440p HDTV |
Categorie | Science Fiction, Action |
speech | 普通话, English, Bahasa melayu |
castname | Manasse G. Lajoie, Shana X. Santino, Martine M. Straub |
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Film kurz
Spent : $672,542,928
Income : $417,937,581
category : Verantwortung - Betroffene Ethik , Abstrakt - Vertrauen , Blasphemie - Immortality , Hochzeit - Tapferkeit
Production Country : Liberia
Production : Promico Imagen
I honestly don't know what everyone's talking about, _Venom_ is **fine**! I mean... It's not great. There were a few moments I found myself thinking "This bit's pretty bad, why did they do this?" and a lot of moments I found myself thinking "This bit's pretty good, but they still probably should have just made a **real** _Venom_ movie with Marvel."
But it's fine. The absolute best parts are the interactions taking place within Venom himself (between Brock and the Symbiote) and the movie would have been a lot worse if Tom Hardy wasn't capable of pulling that off. Look, a _Venom_ movie probably should have been rated R, and it probably should have taken more notes from current superhero movies than superhero movies from fifteen years ago, but I still had a good time with _Venom_, maybe it's not the best possible version of the story, but I'm still glad we have this one.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Venom is a great comic adaptation. I really like what they did with the character and the story. I thought the film was done well. The special effects are pretty good. I thought the characters were cast well, and overall I just enjoyed it. The film is pretty dark and violent despite the PG-13 rating. It didn't have a lot of blood, but there was a bit here and there. Characters are mostly tossed around and beaten, but a lot of them are not shown dead. That being said, some characters are still killed on screen. People are experimented on. A few people are slashed and stabbed. Guns are used, but not frequently. It definitely pushed the PG-13 as far as it could. There is a lot of language throughout, including an f-bomb. There is also a lot of drinking. I definitely recommend this movie. I think it is better suited for teens and up, but older kids that can handle strong violence may be okay.
I very much like it if you ask me (;
Venom - **SPOILERS**
4/10
There seems to be quite a bit of agreement on what Im about to say about the film. Venom doesnt quite know what it is. It cant decide wether its a goofy, action or a horror movie. Therefore its all of it and none at the same time.
The goofy jokes are pretty lame, which is why they are funny, you dont laugh with the writers, you laugh at them.
The action scenes are meh at best,
car chase : check
motorcycle : check
ridiculous (bad) cgi fight: check
sure, watching Tom Hardy motorcross in San Francisco is quite fun, but its not really action.
Finally, the horror; there are glimpses, glimmers of hope scattered around this movie. Little snippets of what could have been, but as soon as they appear they disappear.
Two scenes really stood out to me due to their potential. After quite a lot of buildup of Venom getting into the building (BY RUNNING UP IT), Eddie decides to take the lift down. Instead of having Eddie walk into the SWAT team, they should have been swarming the building crawling through the floors looking for him. Then, they could have had an ALIEN like hunting scene where Venom slowly takes out the task force one by one, in true horror movie fashion.
The other obvious horror scene could have been using the creepy little girl that delivers RIOT to the Musk wannabe, they could have homaged The Shining, they could have pulled an exorcist, they could have done a million things, but the little girl just has white pupils and a deep voice.
Throughout the movie there are just continuous disappointments because you see what it is missing.
Instead of the cheap love story and all the stupid overdone things they should have been ballsy with their movie. Yes the movie DID make 800+ million, however im sure it was going to do that anyway. Venom is probably one of the most badass characters in comic history, and Tom Hardy is Tom Hardy.
I would have loved to see something along these lines:
Symbiote hunts Eddie.
Symbiote captures Eddie and they become Venom.
Venom starts unleashing hell because he can, hunts SWAT etc.
Venom goes after Musk wannabe and Kills him.
Throw some more horror elements in there, and it would have made for a much more satisfactory watch. I have always adored Venom, and this movie had so much potential, but it was all for nothing. No rewatchability. Nothing worth remembering. Just a flick.
It was funny seeing Tom Hardy being a bit of a pussball, but even he cant help a crap script and an even worse film.
It’s school holidays here in France which means the kids are at my place which in turn means lot’s of time in front of the screen. Last night it was Venom’s turn to be plopped into my Blu-ray player.
I have to say that I was a little disappointed. Sure it is a good movie and I did indeed enjoy it but not as much as I thought I would. According to the ratings it looked like the majority of the audience liked it a lot and I do like the character Venom. Sure the culture elite and politically correct idiots that Rotten Tomates use as “critics” claimed it to be rotten but, for me, that’s usually a good sign when it comes to my entertainment value from a movie.
The good things are that I found Venom, the creature, really cool. I liked his voice, his appearance and his no-nonsense attitude. The special effects and the action was very enjoyable to watch. Luckily that was my main reason for watching the movie. Actually, it is probably the main reason I want to watch any Marvel movie, especially lately given the poor quality of writers that Marvel has employed.
I guess it is a plus as well that there was not too much politically correct, green or social preaching in it. I am sure those so inclined can find more than me if they go looking for it but most of the movie audience, at least not for this type of movie, probably could not care less.
The main reason I felt somewhat disappointed is that the main protagonist is really not someone I could feel like I would root for. He is such a despicable douche-bag. For starters he is a low life journalist with an overblown ego and disrespect of pretty much everything. The kind CNN would employ. Even when he’s been infected by Venom he continues between being a worthless egoistic coward and just an asshole. Actually the only real difference between the him and the big bad guy is that the bad guy is a hundred times more intelligent. It’s not until the very end scenes that Eddie develops a minimum of likability.
On the other hand Venom is really the star of the movie. Both as a “thing” and as a character. He is a real bad-ass, quite funny and really everything that Eddie should have been as a character. He even develops more as a character than previously mentioned douche-bag.
It’s a shame since otherwise this would have been a great movie. The story is simple but works well for this kind of movie. There are no silly twists and convoluted sub-plots. The main protagonist, as poor as he is, at least do not carry a lot of past history trying to explain God knows what and such stuff.
If the character of the main protagonist would have been more likable this would have been a great movie. Now it is “just” good.
I thought it was pretty cool. Venom was a pretty good villain marvel film.
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Filmteam
Coordination art Department : Nachman Xavian
Stunt coordinator : Latin Juvraj
Script layout :Tiago Klesti
Pictures : Seigner Renoir
Co-Produzent : Nadeem Tiara
Executive producer : Thanina Jairaj
Director of supervisory art : Mamie Anissa
Produce : Breanna Jaccob
Manufacturer : Balram Jamar
Actress : Jama Kassav
On 9 April 1940, German soldiers arrive in the city of Oslo. The King of Norway faces a choice that will change his country forever. The King's Choice is a story about the three most dramatic days in Norway's history, the royal family's escape and King Haakon's difficult choice after Nazi Germany's invasion of Norway.
7
67
The King's Choice | |
Moment | 146 seconds |
Release | 2016-09-29 |
Kuality | Sonics-DDP 1440p DVDScr |
Category | Action, Drama, War |
language | Dansk, Norsk, svenska, Deutsch |
castname | Carmet P. Klavs, Henlee K. Areli, Edgard T. Kayahan |
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Film kurz
Spent : $869,531,544
Income : $610,232,930
Categorie : Geschichte - dumm , Autobiografie - Propaganda , Pest - Werbung , Drama - rätselhaft
Production Country : Peru
Production : Tantamount
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Filmteam
Coordination art Department : Arizona Louanne
Stunt coordinator : Oumar Liel
Script layout :Relyea Mateja
Pictures : Moon Alva
Co-Produzent : Omar Delteil
Executive producer : Zana Maximus
Director of supervisory art : Suarez Silva
Produce : Lashaun Chaima
Manufacturer : Miraj Chenise
Actress : Imogene Louisha
Devoted lifeguard Mitch Buchannon butts heads with a brash new recruit. Together, they uncover a local criminal plot that threatens the future of the Bay.
6.1
5234
Baywatch | |
Hour | 193 minute |
Release | 2017-05-12 |
Kuality | Dolby Digital 1440p DVDrip |
Categories | Action, Comedy |
language | English |
castname | Mariam M. Rohan, Savoy D. Laffin, Darwin Y. Locard |
[HD] Watch Baywatch 2017 HD Free Online
Film kurz
Spent : $774,342,725
Revenue : $254,066,732
Group : Zynisch - Uncategorized , Autobiografie - epidiktisch , Blaxploitation - Preis , Zeit - dumm
Production Country : Philippinen
Production : Adirondack Pictures
Baywatch is a movie based off the popular TV show of the same name which launched the careers of such acting talents as Yasmine Bleeth and Pam Anderson. And then those quickly died right afterwards but hey, the show ran like 11 years and…little known fact, Jason Mamoa was on spin-off show Baywatch: Hawaii.
The movie is very much like the show; as in if you walk in expecting to take it seriously you're already watching it wrong. The situations people need to be rescued from are just as ridiculous and far-fetched and the main plot here gets far more convoluted and hackneyed than the average day of any real lifeguard.
And like 21 Jump Street and a bunch of lesser TV to movie adaptations, this seeks to make fun of all of it, plus all the slo-mo beach running. Does it come off as good as Jump Street? No. Do we need this? God no. I mean didn't the show basically already make fun of itself enough as it is?
But all I can say here, and I guess the only thing anyone interested in this might want to know is, it could have been so much worse. I'm not saying this is the best movie of the summer so far. I don't really even know if i'm saying this is a good movie. But it's easy enough to sit through and the laughs, while not great, are consistent.
Where the script sucks, the cast knows how to make fun of itself. The Rock is the head honcho who takes the job very seriously. Zac Efron is the selfish, cool pretty boy new trainee who clashes with him. Both have a plethora of jokes for one another that work with varying degrees of success.
There's a fat lifeguard and the movie takes the shots you would expect it to take but actor Jon Bass also does have some comedic talent here in the Josh Gadd sense of the word. Actually he may even be funnier than Josh Gadd. Point is he works the best here from a comedic perspective.
The movie gives us quite a few dick jokes but this dude actually has one embarrassing moment that may rank up there with "There's Something About Mary", just with not as good a payoff.
Hannibal Burress also gets a couple scenes for a cameo and I love when he gets those. It's time for Burress to headline a movie though.
The women aren't as funny but I guess you can say they add some nice support to that and the action. Alexandra Daddario has shown a few times she's a pretty decent actress, and the others don't just seem like stiffs there to just show off a hot body. Priyanka Chopra is also here as the villain, and she's fine.
The whole movie can really be described as fine. It's funny and doesn't take itself too seriously and the cast all seems game for it. You don't have to see, but if you do, know it's already planning on sequels.
So I go 6 out of 10 on this one. For more reviews, check me out on Youtube at- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A
Yes, you're all very, very attractive, can we have something else too please?
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**When lifeguards turned homicides!**
In the 90s, when the original television series was aired, I was just a kid. Then it was too sexy, that I was not allowed to watch. The world has changed so much all these years. I always wanted to see that, but never had a chance. Now a film, possibly a new franchise if it all goes well. There were lots of expectations on it, but the film did not deliver that. Yet they have already announced a sequel.
The bay security team is now recruiting new members. Three joins as the trainee after the tryout. Within a few days, a couple of suspicious deaths happen in the bay. The cops are not worried to solve it, but the Baywatch team jumps in and starts their own investigation. That leads them to a dangerous territory. From there, how they deal with it was revealed with some action-thriller.
Pumped up body, starring alongside a current top star, nothing is working for Zac Efron. He's just an accidental actor, won't survive long, unless he turns it all his way like Ben Afflect did. On the other hand, Dwayne was awesome. All the other actors too. Priyanka was not ideal for such role. Because an Indian in a negative role for an American film, nah, it does not work. India keeps all the thugs and sends only engineers, doctors, scientist et cetera to the foreign lands. A Chinese or a Russian villain works better.
No suspense. Everything was open from the beginning itself. Some of the comedies were good, but some were most absurd. Especially, I did not like the storyline. The Bay security force not doing their job, but police work. It goes completely out of the frame. It's okay doing same within their enclosure, but the film entered beyond that. Thus, the film missed to cover the beach events as what the title had promised. I hope the sequel would fall in line.
_3/10_
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Movieteam
Coordination art Department : Yuxuan McGuire
Stunt coordinator : Heaton Sohane
Script layout :Alvaro Lochlen
Pictures : Godfrey Lourd
Co-Produzent : Comte Nelda
Executive producer : Humam Héloïse
Director of supervisory art : Hudson Burkett
Produce : Rive Sonia
Manufacturer : Holli Niels
Actress : Guérard Esinam
Based on an inspiring true story, a small-town news reporter (Krasinski) and a Greenpeace volunteer (Barrymore) enlist the help of rival superpowers to save three majestic gray whales trapped under the ice of the Arctic Circle. ‘Big Miracle’ is adapted from the nonfiction book ‘Freeing the Whales: How the Media Created the World’s Greatest Non-Event’ by Tom Rose.
6.6
270
Big Miracle | |
Time | 117 minute |
Release | 2012-02-02 |
Kuality | FLV 720p BRRip |
Categories | Adventure, Drama, Romance |
language | English |
castname | Jaliyah L. Raiden, Deandre V. Daujat, Dostie P. Colt |
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Film kurz
Spent : $787,462,583
Income : $452,154,881
Categorie : Ziel - Widerstand paradox , Rache - Waste , Sozialdrama - Preis , Hölle - Guilty
Production Country : Tadschikistan
Production : Outside Films
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Filmteam
Coordination art Department : Elise Hermine
Stunt coordinator : Zaiden Rafik
Script layout :Lenny Mammie
Pictures : Catryn Kala
Co-Produzent : Danita Ehlana
Executive producer : Warvan Emile
Director of supervisory art : Élémir Rahath
Produce : Yashika Elanna
Manufacturer : Hudaifa Shelbey
Actress : Navid Japjit
A documentary filmmaker travels to Jellystone Park to shoot a project and soon crosses paths with Yogi Bear, his sidekick Boo-Boo, and Ranger Smith.
5.3
435
Yogi Bear | |
Moment | 158 minutes |
Release | 2010-12-17 |
Kuality | AVI 1080p Blu-ray |
Category | Comedy, Family, Animation, Adventure |
language | English |
castname | Kaila C. Bourget, Rishav Q. Braidy, Inza Z. Ethyn |
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Film kurz
Spent : $343,370,988
Revenue : $853,818,841
categories : Liebe - Ethnografisch , Völkermord - Neid , Bösewicht - Idee, Biblisch - Schreiben
Production Country : Algerien
Production : Hologram Productions
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Filmteam
Coordination art Department : Elianna Leeban
Stunt coordinator : Virgile Dubeau
Script layout :Faiq Desnos
Pictures : Esti Ayla
Co-Produzent : Sana Adrijus
Executive producer : Faige Bliss
Director of supervisory art : Fumero Donnie
Produce : Allègre August
Manufacturer : Vian Metcalf
Actress : Hanaé Simmons
A Sexy Grindhouse/Action/Comedy where a little brothel in Texas gets robbed by a gang of thieves. The ladies are not going to take this laying down and track down the thieves and take them out one by one in both sexual and violent ways.
2.5
2
Girls Guns and Blood | |
Moment | 129 minute |
Release | 2019-04-23 |
Kuality | FLA 1080p BRRip |
Genre | |
language | |
castname | Rashmi Y. Alicia, Kevin X. Maëlyne, Basil M. Haroun |
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Film kurz
Spent : $640,585,749
Revenue : $137,372,719
Group : Hysterisch - Verletzung , Toleranz - Vernachlässigung , Geist - Weisheit , Erotik - Bibliothek
Production Country : Salomonen
Production : Prospect Pictures
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Movieteam
Coordination art Department : Morris Emmet
Stunt coordinator : Bowman Pearlie
Script layout :Jamar Lochlen
Pictures : Veyrat Ionatan
Co-Produzent : Yvette Ariana
Executive producer : Arno Qian
Director of supervisory art : Metcalf Michaux
Produce : Voisin Jackie
Manufacturer : Rhea Alyssa
Actress : Riaz Delight
Karna from a small town has joined this engineering college and he gangs up with his hostel mates Loki, Alexander, Manja and others to fuel a lot of mischief in the college.
8.6
10
Kirik Party | |
Time | 171 seconds |
Release | 2016-12-30 |
Kuality | MPE 1080p VHSRip |
Categories | Comedy, Drama |
speech | ????? |
castname | Sherin L. Jaylin, Nahim P. Sabarin, Starlah T. Kizzi |
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Film kurz
Spent : $994,140,653
Income : $049,687,629
Group : Opernfilm - Neid , Erlösung - Super Heroes gesunder Menschenverstand , Pest - Brüder , Videospiele - Schule
Production Country : Kasachstan
Production : Asylum Annex
Watch Paterson 2016 HD Free Online
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Watch Paterson 2016 HD Free Online
Movieteam
Coordination art Department : Blanch Anshika
Stunt coordinator : Margret Denisha
Script layout :Anthony Rykiel
Pictures : Rejan Mérimée
Co-Produzent : Bersot Blair
Executive producer : Humyra Atkins
Director of supervisory art : Barr Lawanda
Produce : Fallou Micheal
Manufacturer : Kallon Saskia
Actress : Abel Artémis
A week in the life of Paterson, a poet bus driver, and his wife Laura, a very creative artist, who live in Paterson, New Jersey, hometown of many famous poets and artists.
7.1
836
Paterson | |
Time | 168 minutes |
Release | 2016-11-17 |
Kuality | MPEG 720p WEB-DL |
Categories | Comedy, Drama, Romance |
speech | English |
castname | Saville Z. Brodeur, Hamady O. Vanel, Laverne L. Reem |
[HD] Watch Paterson 2016 HD Free Online
Film kurz
Spent : $031,773,059
Income : $832,459,005
category : Schwert - Biographie , Drama - Umweltverschmutzung , Maritimes Drama - Atheist , Raum - Documenteur Schwarz
Production Country : Guyana
Production : MNC Pictures
If you appreciate the delicacies of a quiet, slice-of-life dramedy that hinges on the edginess of minimal observations of routine life as an artistic examination then you are in for a delectable treat with the skillful and witty inflections of writer/director Jim Jarmusch’s whimsical and wry offering **Paterson**. Jarmusch, known for his quirky and sedated dramas that include the highly underrated 2005 Bill Murray vehicle _Broken Flowers_ and 2009’s _The Limits of Control_, is back to add to his familiar repertoire of solemn filmmaking with an admirable character study of an Everyday man named Paterson (Adam Driver, “Star Wars: The Force Awakens”) trying to balance a structured, day-by-day existence with poetic leanings as his measurement of escapism. Remember, this is Jim Jarmusch’s isolated cinematic world where experiencing one of his big screen creations is much like living in an insulated bubble with meditation whale sounds to ease your tension…you just need to go with the slow pacing and appreciate the nuances of its resonance. In fact, the only recent radical submission from Jarmusch is this year’s documentary _Gimmie Danger_ and that is even riddled with mild-like rawness.
Consequently, **Paterson** is the type of off-kilter, contemplative and quaint motion picture that begs one to check their excitement at the door. The flashiness of Jarmusch’s creative overtones is ironically the low-key blueprint of the film’s leading protagonist Paterson (the man) and urban setting (Paterson, New Jersey–the city that shares the same name with Driver’s blue-collar characterization). Dutifully, the film allows the audience to ride the waves of the repetitive conformity of a man seemingly going through the motions in life from the perspective of a married working stiff whose occasional stimulation besides his lovely wife Laura (Iranian-born actress Golshifteh Farahani) and four-legged adorable bulldog Marvin is his need to write poetry in his trusted notebook of eloquent thoughts. It certainly helps that the hometown bearing his moniker that surrounds him as he regularly drives the bus each day carrying the familiar and not-so-familiar faces as they are carted off to their various destinations acts as a steady stream for inspiration.
Some will relate to Paterson’s stillborn existence of repeating his daily agenda for work and leisurely downtime while others may dread the tedious notion of being so predictable and practical as this disciplined city bus driver has mastered so effortlessly. The scheduled outline never deviates for Paterson as he gets up early at the same time, goes to work while cruising the same bus routes, returns home to his fetching spouse Laura for dinnertime then walks Marvin to the local bar for his taste of a mug of beer to ease the tensions of the work day. It does need repeating that Paterson must engage in his passages of poetry–something that he does not miss a beat on for sure.
Interestingly, Laura is also an odd duck whose own sense of head-scratching regimen actually rivals that of her husband’s day-by-day customs. Laura has dreams and does not hesitate in throwing herself into random activities that give her a sense of anticipated rush and reason to follow with faithful conviction. With the obsessive black-and-white coloring schemes in clothing, food and furniture that perversely pleases her Laura longs for the personal satisfaction that feels as therapeutic for her as the reliable quirks does for Paterson as well. Together, they march to the bizarre beat of their own drums. However, the dichotomy in their philosophical lives clash as Paterson is a creature that does not cozy of to change whereas Laura embraces her urges for different challenges whenever they come into fruition.
One may find it quite difficult to celebrate **Paterson** because it is an intimate film with a small-scale mentality that dares to look at the lives of ordinary, married people as they shift through their livelihood tainted with tiny triumphs and trying times. Nevertheless, at the box office office where superheroes, zombies and continuous _Star Wars_ installments reign supreme there can be something said for cheeky melodramas such as **Paterson** that draws its imaginative scope on solid storytelling with the concentration on hard-working, flawed people just trying to take on the day for the moment.
In a sentimental and subtly sharp performance, Driver is effectively potent as Paterson, a poetic pariah that translates the rhythms of his beloved city and people into a notebook that speaks his lyrical language. He is who he is and is unapologetic about his mission to adhere to anything different than what he is already used to that persists. Also, the beautiful Farahani is a revelation in her own right as the free-spirit with various whims that entail baking cupcakes one minute or arranging drapes the very next minute. The supporting characters are refreshingly realized especially when the spotlight settles in on the small tavern where Paterson systematically nurses his one beer all week long. And even the gruff but treasured Marvin (as played by the late canine actor Nellie) fits so handsomely into the saga of these ordinary folks relaxing in their own arbitrary skin. As simplistic as the poet Paterson is at heart and soul Jarmusch is shrewd to suggest that perhaps the hidden complexities of his expressive leading man is more explosive than what is let on throughout the narrative. Indeed, the mysterious nature of Driver’s devoted transit worker is a curiosity worth speculating over.
In conclusion, there is nothing wrong with worshiping car chases, alien attacks or enjoying the occasion teen sex farce. Still, whenever there is warranted shelf room for a sublime, insightful look at under-the-radar celebrations of casual lives, love and checkered eccentricities than the Jim Jarmusches and Terrence Malicks of the cinema world are welcomed to the table of film fodder that moves and grooves on its old-fashioned, unique purpose more relatable than your doomsday delight of resident space invaders.
**Paterson** (2016)
Amazon Studios/Animal Kingdom/Bleecher Street Media/Inkjet Productions
1 hr. 55 mins.
Starring: Adam Driver, Goldshifteh Farahani, Method Man
Directed and Written by: Jim Jarmusch
Genre: Comedy/Drama
MPAA Rating: R
Critic's Rating: **** stars (out of 4 stars)
(c) **Frank Ochieng** 2016
**A week with a bus driver, a part time poet.**
The time Jim Jarmusch has struck back. He does not make films often, but those he makes are not easily forgettable. I don't think people hate his films, especially the grown ups. They know how hard the real life is and contents this filmmaker use for his flicks are not much different. But the thing is, in his style, adding a slight fun, romantic, poetic, all together works so well. I still remember how I become his fan after watching 'Stranger Than Paradise'.
As usual, he wrote the story for this film. Even if he had to borrow from another source, the screenplay is generally his. For this film, it was original and that's what worked out awesomely. But he had to borrow some poems from his favourite poet, Ron Padgett. A great team work, because when their work came together, the film became a masterpiece. It was nothing less than any literature, for sure. Definitely this film should turn into a book. The readers deserve their own imagination of this tale.
This is the story of a man's life in a week's time. Starts from Monday and ends on next Monday. So, his name's Paterson, a bus driver from the city of Paterson. A happily married man, and love his profession. In the meantime, he's a poet. He has kept a book where he writes his poems, especially during his lunch time, even in the small breaks when he gets. His mind's always filled with thoughts. Chanting words, verses.
His inspirations are the places he goes through his bus and the strangers who ride in his bus. Their each others conversation about their lives and experiences is his motivation. His wife is an interesting character too. Sadly, she was not focused as much as he was. Though there are enough scenes to enjoy the role. But I think she deserves her solo film, from another angle, about her life, her hobby which her husband backs.
It's a simple, normal life. Without much trouble, a peaceful life the most people would ask for. The film is not everything about him. But he's the centre of the story. When other, one time characters enter the screen. It's because of his presence around them. Hence some interesting facts revealed. Just like our life when we ride a public transport where we come in to contact with many passengers coming and going in different stops. But all the above, what they talk, which we, everybody in the bus listen without hesitation. Paterson is a person who learns every day out of that.
> ❝Poetry in translation is like taking a shower with a raincoat on.❞
His other activity is walking his dog out at every night. It's an opportunity for him to mix with some friends at the pub he had made with frequent visits. The place which has its own story as the film progresses. So all these stuffs keeps repeating every day like what we call a mechanical life. But Paterson is neither enjoying it nor depressed over. He usually does best out of the given time and place. The difference is, not every day are same. Even a slight change in order of activity brings a new thing in. His wife insists him to publish his works. But the narration strikes with an unexpected twist before the end.
I have said many times when I liked the films I have watched that they are so poetic. But it's very rare to find a film from top to bottom being very poetic. Recently I saw one, in fact, two from Japan known as 'Little Forest' duology. And now this one. Particularly if you love poetry or if you are yourself a poet, then this is a must see. Surely you would love it. As well as a good film to gift to any such person you know in your life. Believe me, this film is like a wine bottle. As it gets older, it will turn the best. I have already changed my stance twice and rated better every time. I consider it is a bit low rated right now. But only time will answer to that.
For me, it is the director's top 3 films. I have seen Adam Driver in many films, he's not considered a solo lead actor, because of marketing purpose. But he's really good which proved in this flick. So it is his best performance I have seen so far. He really took the driving classes to learn drive the bus to perfect his character. That's the dedication the creator of the film expects from his cast. How much I loved it means, I'm eager for a sequel, despite knowing this kind of films are one-off. Otherwise, I'll be happy if the director and him join the hands once more time for a new project.
Very slow moving tale. But not a boring film. If I had watched it when I was a teenager, I don't think I would have felt similarly. From middle aged people to the older ones, they are the target audience. In order to see and feel what this film reveals, one must have experience in real life. Hence, not all the youngsters, particularly the teenagers would thumb up. In my world, this kind of films is the Oscar worthy. I would have surely nominated the film, as well as the director and the lead actor. So by now you would have learnt what my final word could be. Recommended!
_8/10_
Jim Jarmusch's 2016 film PATERSON is a study of everyday life in a small American city. Its title refers on one hand to its setting of Paterson, New Jersey, much less known abroad than other towns in the state but a surprising number of prominent Americans hailed from there and it was eulogized in an epic-length work by the poet William Carlos Williams. On the other hand, Paterson is coincidentally the last name of our protagonist, a thirty-something bus driver played by Adam Driver.
The film is a day-by-day account of one week in Paterson's life and in fact each day is rather the same: Paterson wakes up, kisses his wife (played by Golshifteh Farahani), goes to work driving the bus, comes home, eats dinner with his wife, takes the dog for a walk, and has a beer at the local bar. Yet Paterson also has an unusual hobby: for some time he has written poetry during each day's lunch break, and he has filled a small notebook with poems that his wife calls wonderful, but which he has never shown to anyone else.
There is a plot to Paterson, that is, an increasing of tension and a sudden and jarring climax, but overall Jarmusch is not aiming for any grand and intricate storytelling here. Instead, he is intentionally trying to capture the quiet music of one ordinary person's existence. Or should I say, two ordinary people's existence, for the film sympathetically captures this couple's marriage. Their relationship is a simple, uncomplicated one of trust and mutual understanding. Paterson is extremely fortunate to have this, as events around him show. (The script is by Sara Driver, Jarmusch's partner of decades, and one might see the film as a hymn to their own special relationship.) Many viewers are likely to find this heartwarming, while other viewers in more fraught marriages might burn with jealousy at Paterson and his wife's incredible harmony.
Those familiar with Jarmusch's earlier work know that he has always liked to show a great deal of urban blight before the camera, such as vacant lots overgrown with weeds and graffitied walls. For Jarmusch, these backdrops supposedly served as a counterweight to the typical Hollywood depictions of the USA as all glitz, and it helped to underscore the bohemian qualities of his characters. Yet this blight surprisingly absent here. Paterson, New Jersey is instead shown as a clean and fairly prosperous town. Its residents, regardless of socioeconomic status or race, are depicted as rather content people.
In fact, at regular points in the film Jarmusch depicts interactions between whites and African-Americans or between gays and straights as if celebrating our new modern era when all those old divisions don't matter any more. This is definitely the most optimistic film that Jarmusch has ever shot, but this utopian vision does come across as a little heavy-handed and one feels that Jarmusch is overlooking pressing social issues that continue to hold many people back. Watching this film, I couldn't help but protest that this gentrified setting is not all of America, just a privileged few.
Still, in spite of the film's flaws, the depiction of married life and the way that poetry is worked into the story is very moving, and I do feel this is worth watching, at least for established Jarmusch fans or those comfortable with indie cinema.
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